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Esteban Echeverria/The Slaughter House
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A 3 page paper that discusses the use of language in Esteban Echeverria’s “The Slaughter House,” which portrays the political situation in Argentina under the rule of Manuel de Rosas, a “Federalist war hero” (Webb). In describing the effect of Rosas’ rule, Echeverria creates an extended metaphor, a Slaughter House, located “’in the southern part of Buenos Aires, on a huge lot’” (Echeverria cited by Webb). Examination of the literary devices employed by Echeverria demonstrates the way in which he uses this primary metaphor to create an allegory that dramatized the conflict between civilization and barbarism that characterized nineteenth century Argentina. Bibliography lists 2 sources.
Filename: kheearg.rtf

Estela Portillo Trambley: Values
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6 pages in length. Estela Portillo Trambley stood for the rights of an entire gender; her contributions to the perpetual fight against patriarchal control earned her a place firmly entrenched within the conquests of Chicano feminism. Bibliography lists 1 source.
Filename: TLCTramb.rtf

Examples of Renaissance Concepts in Miguel de Cervantes’ “Don Quixote”
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A 5 page paper which examines how the Renaissance manifests itself throughout the text in terms of humanism, politics, and abstract expressionism. No additional sources are used.
Filename: TGdqhum.rtf

Fate in The Alchemist
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An analysis of the concept of Fate as used by Coelho in The Alchemist, and the way in which predestination and free will are treated in the course of the narrative. Bibliography lists one source.
Filename: JLalchem.rtf

Federico Garcia Lorca/Play Trilogy
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A 3 page research paper/essay that discusses the Federico Garcia Lorca’s play trilogy. The editors of the New England Review add a biographical note to their publication of Federico Garcia Lorca’s poem “Siguiriya’s Way,” which identifies Lorca as one of the greatest poets and dramatists of modern Spain (Lorca, 2005, p. 96). This poem mixes sensuality with the ever-present threat of violence, which is as theme that is prominent in Lorca’s work. Three of Lorca’s best-known plays are his trilogy: “Blood Wedding,” “Yerma,” and “The House of Bernarda Alba.” Examination of these plays demonstrates how Lorca uses the elements of melodrama to represent the presence of overwhelming sexual desire within the context of the negotiated power. Bibliography lists 5 sources.
Filename: khlorca.rtf

Federico Garcia Lorca: Trilogy
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6 pages in length. The sexual instinct that represents the creativity in Federico Garcia Lorca's trilogy of three plays depicting Spain's cultural identity clearly establishes the manner by which the playwright aspires to portray the intensity of his characters' existence. Interwoven amidst this underlying sexual instinct is the relationship of Spain's socioeconomic concerns at that time and how Lorca reinforces this subject with the use of theatrical and artistic methods. Bibliography lists 3 sources.
Filename: TLCLorca.rtf

Female Sexuality in House of Bernarda Alba
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A 3 page essay on Federico Garcia Lorca’s play “The House of Bernarda Alba,” which is part of a trilogy in which each play expresses the way that women were “crushed by Spanish customs and social life” during the early twentieth century (Jones and Jones 13). In Bernarda Alba, the cast is virtually all women, as there is only one brief appearance by a male. In this play, Garcia Lorca uses the theme of suppressed sexuality to underscore the corrosive nature of Spanish cultural expectations towards women. Bibliography lists 5 sources.
Filename: khlorcab.rtf

Feminist Analysis of Sandra Cisneros’ “The House on Mango Street”
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A 5 page paper which examines how the book portrays feminine stereotypes and the male oppression the characters’ face. Bibliography lists 4 sources.
Filename: TGmango.rtf

Fitting in: Okada and Rodriguez
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A 5 page paper which examines a quote from “No-No Boy” by John Okada and “Hunger of Memory” by Robert Rodriguez as they relate to fitting in. This concept addresses anger and resentment towards family as well as identity issues possessed by the primary character in the stories. No additional sources cited.
Filename: RAokada.rtf

Francisco de Quevedo/Sonnet 478
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A 3 page essay that offers an explication of Francisco de Quevedo's Sonnet 478. This examination of Sonnet 478 demonstrates the connection that Quevedo made between the concept of Neoplatonic love and the anguish of unrequited love. Bibliography lists 2 sources.
Filename: khfdq478.rtf

Free Will Verses Determinism as Revealed in Selections from the Fictional Literature
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A 10 page exploration of the short stories encompassed by Miguel de Unamuno and Eric Bentley in their books “Abel Sanchez and Other Stories” (Unamuno) and “Life is a Dream: (Bentley). Unamuno’s book contains the short stories “Abel Sanchez”, “The Madness of Doctor Montarco”, and “San Manuel Bueno, Matyr” while Bentley’s “Life is a Dream” encompasses translations of Calderon's “La Vida es un Sueño” (Life is a Dream), Lope de Vega's “Fuente Ovejuna” (Fountain of Youth), and Tirso de Molina's “Don Juan”. Each of these stories add insight to our understanding of the free will verses determinism debate. Bibliography lists 8 sources.
Filename: PPlifeDr.rtf

Fronteras Americanas: A Discussion
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5 pages in length. This focuses on the play by Guillermo Verdecchia. Fronteras Americanas is an entertaining but darkly humorous look at the borders of Latin-America. Borders both without and within, and the stereotypes we deal with in the immigrant experience. It is at once poignant and funny, and makes us see the part that stereotyping plays upon the lives of immigrants. Bibliography lists 3 sources.
Filename: JGAfroam.wps

Fuentes’ “The Death of Artemio Cruz”
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A five page paper offering an overview of Carlos Fuentes’ novel. The paper shows how Fuentes compares the characteristics of his protagonist to twentieth-century Mexico itself. No additional sources.
Filename: KBfuente.wps

Gabriel Garcia Marquez' "A Very Old Man With Enormous Wings"
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A 5 page explication of Marquez' story "A Very Old Man With Enormous Wings." The paper examines various elements within the story. Bibliography lists 5 sources.
Filename: RAmarwng.rtf

Gabriel Garcia Marquez's 'One Hundred Years Of Solitude': Time And Solitude
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10 pages in length. The writer discusses that within the enigmatic realm of Marquez's magical realism reside the sometimes-somber yet always prominent components of the novel's two central themes: time and solitude. Bibliography lists 13 sources.
Filename: TLC100yr.wps

Gabriel Garcia Marquez's "Chronicles Of A Death Foretold": Superstition, Omens, Dreams And Irony
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5 pages in length. An expert at imagery manipulation, the work of Gabriel Garcia Marquez is ripe with example of his unique ability to draw out the presence of superstition, omens, dreams and irony from virtually any situation. His celebrated Chronicles of a Death Foretold is especially indicative of the author's inherent ability to meld the aspects of fantasy with reality in order to portray these sometimes-concealed story elements. Bibliography lists 5 sources.
Filename: TLCGabMq.rtf

Gabriel Garcia Marquez’ “El Colonel no tiene quien le escriba”
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A 5 page paper which examines the themes of death and resurrection in Gabriel Garcia Marquez’ “El Colonel no tiene quien le escriba.” No additional sources cited.
Filename: RAmarqz1.rtf

Gabriel Garcia Marquez’s “A Very Old Man With Enormous Wings”
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A 4 page analysis of Marquez’s short story. Bibliography lists 4 sources.
Filename: TGggmold.rtf

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